Longsword training at the School centres around five set drills, which
contain the kernel of our current interpretation of Fiore's Art. These
drills are built up according to Fiore's four Masters of Battle, which
represent four steps in a fight: the attack, the defence (remedy) the
counter to the defence (counter-remedy) and the counter to that (the
counter-counter-remedy). For more information about Fiore's system,
please refer to "A swordsman's guide to Fior di Battaglia"
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First drill has the defender parry with the crossing of the second
master of zogho largo, which is countered by the attacker yielding and
entering into zogho stretto, which is countered by the ligadura mezana,
from the third play of the first remedy master of the dagger. |
| Watch first drill!
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| Second drill has the defender enter directly into zogho stretto, which
is countered by a variation on the soprana tor di spada, which is in
turn countered by an elbow push. |
Watch second drill!
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| Third drill skips to the end of the sword on two hands, and has the
defender parry from posta di dente di zenghiaro, beating the sword
aside. The attacker yields and enters with a wrap, which is countered
with the ligadura sottana. |
| Watch third drill! |
| Fourth drill is the last two plays of the zogho largo section; the
attack with a mezano, parried, the turn to the punta falsa, and it's
counter. |
Watch fourth drill!
|
| Fifth drill introduces the feint: a thrust from posta di donna using
bicorno, parried, the parry deceived, and the deception countered. |
| Watch fifth drill! |
The cross-handed forms of the drill are designed to maintain the logic
of the normal form, adapted where necessary to the difference in
structure that occurs when one of the combatants is holding the sword
in the other hand.